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VFX & ANIMATION

Production Coordinator Course

Online Course with Live Workshops!
A 7-week, part-time program focused on production workflows and coordination processes used within animation and VFX studios. Includes hands-on training in Flow Production Tracking.

Weekday + Weekend classes

Limited to 10 students per class

NEXT INTAKE NOV 2026. 10% OFF UNTIL OCT 16

Apply for next Intake

Next intake November 2026
Studios expect you to be ready. This is where that starts →

COURSE OVERVIEW

VFX & ANIMATION PRODUCTION COORDINATOR CLASS

Build practical, job-ready production coordination skills for animation and VFX studios.

Our 7-week course is designed for aspiring and early-career production professionals, as well as industry professionals wanting a stronger foundation in production coordination workflows and Flow Production Tracking. Built to the standards of leading studios, it focuses on practical, job-relevant skills for production assistant and production coordinator roles across animation and VFX.

You’ll train in core production processes such as tracking, review, deliveries, reporting and scheduling, while gaining guided hands-on experience in Flow Production Tracking (formerly ShotGrid), the industry’s standard project management tool - so you’re building experience aligned with how production actually runs in studios. The course includes self-paced modules, twice-weekly live online workshops, industry expert Q&As, and small class sizes for more personalized support.

Our students LOVE the course - see what they have to say!

See our Course Modules for more information.

Apply Now!

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STUDENTS LOVE THE COURSE!

She Just Wanted Someone to Teach Her the Ropes… “Now I Can Jump Into Any Studio Pipeline.”

How I Levelled Up Fast in My First Studio Job!

How I landed a Production Assistant role at Framestore!

How I landed my first job in the animation industry

MEET INDUSTRY PROS IN CLASS VIA ZOOM!

Our experts have years of experience working on major projects like

Assassins Creed, Wicked, How to Train Your Dragon, Lilo & Stitch, Spider-Man, The Boys, Mad Max, Star Wars, Trolls, Avatar, Leo, Vikings + many more!

Get unlimited access to all past and future industry guest presentations!

Bree Kettley Course Instructor

20+ years of industry experience.

Scary Girl, Tales from Sanctuary City, Minnie Mouse Bowtique, LEGO Star Wars, Walking with Dinosaurs 3D, Legend of the Guardians...

Bree brings a wealth of production management expertise from both the feature film and television industries, alongside a successful career in lecturing at animation & film schools. She has worked on a diverse range of high-profile projects, including Scary Girl, Tales from Sanctuary City, Disney's Minnie Mouse Bowtique, LEGO Star Wars, The LEGO Movie, Walking with Dinosaurs 3D, Legend of the Guardians, FARMkids, and more.

Bree has played a pivotal role in helping students secure positions within the animation industry. Her extensive teaching experience at top studios and educational institutions has honed her ability to guide students in animation production, equipping them with practical, industry-ready skills.

Bree also serves on the animation advisory committee for RMIT, a globally recognized university specializing in technology and design. In this role, she collaborates with leading industry professionals to provide valuable insights on emerging trends and evolving industry needs.

Christopher Lee

Production Manager - Industrial Light & Magic

Severance Season 2, Obi-Wan Kenobi, Ultraman: Rising, Red Notice, Jurassic World Dominion, The Mandalorian, Star Wars: The Rise of Skywalker, Jungle Cruise, Free Guy, Black Widow, A Quiet Place Part II, Space Jam: A New Legacy, Aladdin, 6 Underground, The Great Wall, Transformers: The Last Knight, Monster Hunt 2, Avengers: Infinity War, Ant-Man and the Wasp

Games: Skull and Bones

Christopher Lee is a Production Manager at Industrial Light & Magic (ILM), specializing in the project management and leading cross-functional teams in the VFX and gaming sectors. With over 10 years of experience, Christopher has a proven track record of delivering complex projects through Agile methodologies and strategic financial oversight. At ILM, he oversees teams of different disciplines, focusing on driving operational excellence and career mentorship within the creative industry.

Estívaliz Zaragoza

VFX Digital PM - Scanline VFX

The Witcher S4, Andor S2, Avatar: The Last Airbender, Nyad, The 3 Body Problem S1, Andor S1, Don’t Look Up, Zack Snyder’s Justice League, Godzilla vs. Kong, Dumbo, X-Men: Dark Phoenix, Jumanji: Welcome to the Jungle, Mindhunter, Suicide Squad, Chappie, Mexican Gangster, Gone Girl, Cinco de Mayo: La Batalla, House of Cards S1–5, Her, The Girl with the Dragon Tattoo + More!

I’m a VFX production professional with 10+ years of experience across film, TV, advertising, and streaming in Mexico and Canada. I’ve worked with international studios including Scanline VFX and MPC Montreal, helping teams deliver complex projects from early planning through final delivery.
Fuelled by cinema, coffee, and creative collaboration, I bring an eclectic mindset, a love for structure, and a maximalist soul to production. I enjoy helping teams do their best work and believe great VFX happens when strong processes support creative people. And yes, dogs make everything better.

Nicklas Andersson

Animation Supervisor - Important Looking Pirates

Fallout, The Last of Us, Ronja the Robber’s Daughter, Indiana Jones and the Dial of Destiny, Stranger Things, Invasion, Far Cry 6: Chicharrón Run, Star Wars: Episode IX – The Rise of Skywalker, Jurassic World: Fallen Kingdom, Star Wars: Episode VIII – The Last Jedi, Black Sails, The Bridge, The Chemical Brothers: The Salmon Dance, The Chemical Brothers: Believe, Gordon Gin - Breeze (Ad) + More!

Caitlin McGann

Production Coordinator - Netflix Animation Studios

Steps, The End of Oak Street, Superman, Leo + More

In my 10 years in industry I have worked across a variety of disciplines including live action, advertisement, VFX, and localisation. Currently a Production Coordinator at Netflix Animation Studios, I have found my passion for animation, a joy for overhauling production schedules and processes, and a fascination with development both on and off pipe.

Danni Zhang

Associate Producer - Industrial Light & Magic

The End of Oak Street, Star Wars: Skeleton Crew, Transformers One, Deadpool & Wolverine, The Creator, Dungeons & Dragons: Honour Among Thieves, The King's Man, The Midnight Sky, His Dark Materials, Lady and the Tramp, X-Men: Dark Phoenix, Captain Marvel, Aquaman, Peter Rabbit, Guardians of the Galaxy: Vol. 2, The Lego Ninjago Movie, The Great Wall, Doctor Strange + More!

I actually started out as a 3D Generalist, doing everything from tracking to lighting for about four years. At some point, I realised that while I enjoyed the craft, I wasn’t necessarily the most naturally gifted artist.

But I loved the industry and knew I wanted to stay in it. That’s when I started looking toward production.

At first, I thought production would be all about fun client meetings and being charming, but I quickly learned there’s so much more to it. It’s about communication, strategy, problem-solving, and supporting the team every day. It’s challenging, but in the best way.

Over the past ten years, working across TVCs, broadcast, and film, I’ve grown so much both professionally and personally. Staying in production has allowed me to stay close to the creative work while helping bring it all together, and that’s something I really value.

Senior VFX Coordinator - Freelance UK/EU/CAD

Alicia Reymann Ramos

Senior VFX Coordinator (Onset)

Assassins Creed, Andor S1, Time Bandits, Percy Jackson & The Olympians S1, Coyote vs. Acme, Citadel: Diana and currently on a TBA Netflix Episodic.

I transitioned into the film industry from Sports Event Management, and got my start in VFX at ILM Vancouver in 2021. I started off as a VFX PA on Andor S1 and wrapped the show as a VFX Coordinator. From there I had the chance to work on several other episodic projects and across all departments (Gen/Env will forever have my heart), including working with the Stagecraft Content team on Percy Jackson.

In 2023 I was offered the opportunity to work with the client side VFX team on a Warner Bros feature film in London, and within 9 days of the offer I packed up my life, landed in the UK and started working as a freelance VFX Coordinator. I am now into my third year of freelancing, and on my second project as a Senior VFX Coordinator.

I had a very unconventional entry into the industry, but I am very grateful for my diverse background and the non-film related knowledge/skills I bring into my work. I enjoy the fast paced environment and problem solving that comes with working in this industry, and I certainly make use of my sociology degree on a daily basis!

Morenike Dosu

Director - Inclusion Initiatives at DreamWorks Animation

Morenike Dosu is a Talent Development and Production Executive whose mission is to foster inclusive environments where animation storytellers create universal moments that connect us all. With 20+ years of global experience across Animation and VFX, she specializes in high-impact talent architecture and operational strategy. As the former Director of Inclusion Initiatives for DreamWorks Animation, she built systemic pipelines that resulted in 30%+ promotion rates and improved long-term retention for artistic talent. Her strategic acumen is built on a foundation of hands-on global production management (London, Sydney, Los Angeles), making her a trusted partner who excels at translating creative vision into sustainable, supportive operations. She holds a Masters of Design Science at the University of Sydney and has been credited on a multitude of blockbusters such as ‘Prometheus’ and ‘Puss In Boots: The Last Wish’.

CREDITS:
ANIMATED FEATURES
The Bad Guys 2 (dir. Pierre Perifel)
Dog Man (dir. Peter Hastings)
The Wild Robot (dir. Chris Sanders)
Kung Fu Panda 4 (dir. Mike Mitchell)
Trolls Band Together (dir. Walt Dohrn)
Ruby Gillman: Teenage Kraken (dir. Kirk DeMicco)
Puss In Boots: The Last Wish (dir. Joel Crawford)
The Bad Guys (dir. Pierre Perifel)
The Boss Baby: Family Business (dir.Tom McGrath)
Spirit Untamed (dir. Elaine Bogan, Ennio Torresan)
The Croods: A New Age (dir. Joel Crawford)
Trolls World Tour (dir. Walt Dohrn, David P. Smith)
Abominable (dir. Jill Culton, Todd Wilderman)
How to Train Your Dragons: The Hidden World (dir. Dean DeBlois)
Legend of the Guardians: The Owls of Ga'Hoole (dir. Zack Snyder)

VFX
The Jungle Book (dir. Jon Favreau)
The Seventh Son (dir. Sergey Bodrov)
Maleficent (dir. Robert Stromberg)
World War Z (dir. Marc Forster)
Jack the Giant Slayer (dir. Bryan Singer)
Prometheus (dir. Ridley Scott)
Dark Shadows (dir. Tim Burton)
Wrath of the Titans (dir. Jonathan Liebesman)

COMMERCIALS (SELECTED)
The World of The Jetsons, Reimagined (Aronic) The&Partnership / Bullitt (dir. Justin Lin)
New Legends Will Rise (Destiny 2 Trailer) 72andSunny / RSA Films (dir. Jordan Vogt-Roberts)
GTA - Red Lips feat. Sam Bruno (Skrillex Remix) Anonymous Content (dir. Grant Singer)
Eyes on Gigi (BMW – 360 Degree Ad) KBS New York/ Tool of North America (dir. Marc Forster)
Hero (Game of War) Untitled Worldwide / Bullitt (dir. Alan Taylor)

Patricia Kung

Talent Manager Lead -Flying Bark Productions

Patricia has been working in the animation and VFX industry Talent pipeline for the past 21 years in studios such as Animal Logic (now Netflix Animation Studios), Alt VFX, WetaFX and DNEG.

Patricia is currently the Talent Manager Lead at Flying Bark Productions in Sydney focusing on Production Management, VFX and CG Supervision, Editorial, FX, Lighting and Compositing departments.

She also teaches Professional Practice at JMC Academy and is always trying to help people start and develop their career!

VFX Production Coordinator at Framestore

George Leslie

VFX Production Coordinator - Framestore

Sheep Detectives, F1, Deadpool & Wolverine, Guardians of the Galaxy Vol. 3, Peacemaker S1, Avatar: The Way of Water, Black Adam, Captain America: Brave New World

I started my working life as a chef. I loved the craft, the teamwork, and the fast pace, but eventually I felt it was time for a change. Looking for something new where my skills from the kitchen would still be valuable, I landed a role in the facilities team at Wētā FX. It wasn’t a glamorous beginning (I really honed my dishwasher stacking skills 😅), but it opened the door to a completely new industry full of opportunity, and before long I was offered the chance to step into production within the Motion Department.

Soon after, life brought me to the UK, where I joined Framestore as a Production Coordinator. Since then, I’ve worked with teams across the full VFX pipeline, gaining a deeper understanding of how all the pieces fit together. It’s a unique opportunity to be at the centre of creative projects and to work alongside the incredible people who make them happen. It’s really rewarding to be part of the problem-solving that brings these ideas to life.

Heidy Villafane

Layout Supervisor - DNEG

Furiosa: A Mad Max Saga, Lockwood and Co. Episode 3, Fungi, 65, Borderlands, Elvis, Three Thousand Years of Longing, The Tomorrow Wars, Mortal Kombat, Shang-Chi and the Legend of the Ten Rings, Candyman, Fengshen Trilogy, The Conjuring: The Devil Made Me Do It, The Witches, Peter Rabbit 1 + 2, 100% WOLF, Rise of the Teenage Mutant Ninja Turtles, LEGO Batman, LEGO Ninjago, The LEGO Batman Movie, Blinky Bill Movie, Gods Of Eqypt, The LEGO Movie, The Great Gatsby, Walking with Dinosaurs, Lego Star Wars - The Padawan Menace, Legend of the Guardians : The Owls of Ga'hoole, Xmen Origins: Wolverine, Speed Racer, Harry Potter and the Half-Blood Prince + More!

Commercials - Sokenbicha (Japanese Tea Commercial), Kia Optima (Superbowl)

Thandiwe Philips

Senior VFX Producer - Industrial Light & Magic

Lilo & Stitch, Ant-Man and the Wasp: Quantumania, Strays, Chupa, Thirteen Lives, Hocus Pocus 2, Elvis, Joe Vs Carole, Rise, Three Thousand Years of Longing, Spider-Man: No Way Home, Mortal Kombat, La Brea, Nightbooks, Eurovision Song Contest: The Story of Fire Saga, Maleficent: Mistress of Evil, Cats, Thor: Ragnarök, Fantastic Beasts: The Crimes of Grindelwald, Pirates of the Caribbean: Salazar’s Revenge, Alien: Covenant, Passengers, The Legend of Tarzan, The Jungle Book, The Martian, Jupiter Ascending, Dracula Untold + More!

Dann Tarmy

VFX Supervisor - Scanline VFX

Happy Gilmore 2, Fubar, NYAD, True Spirit, Slumberland, Don't Look Up, Godzilla vs Kong, Noelle, Dark Phoenix, The Greatest Showman, Jumanji: Welcome to the Jungle, Justice League, Murder on the Orient Express, Blade Runner 2049, The Mountain Between Us, The Mummy, Wonder Woman, Alien: Covenant, King Arthur: Legend of the Sword, Ghost in the Shell, A Monster Calls, Miss Peregrine's Home for Peculiar Children, Fantastic Beasts and Where to Find Them, Suicide Squad, The Legend of Tarzan, X-Men: Apocolypse, The Finest Hours, The Martian, Godzilla: King of Monsters, Dumbo, The Predator, Prometheus, Green Lantern, 300: Rise of an Empire + More!

Dann is a VFX industry veteran with over 30 years of experience. He has held various senior and supervisory roles at top visual effects studios, contributing to projects such as “Into The Woods”, “The Finest Hours”, and “The Greatest Showman.” Since joining Scanline in 2019, Tarmy has worked on notable productions, including “Nyad”, “Godzilla vs. Kong”, and “Don’t Look Up.” His expertise and dedication have solidified his reputation as a leading Visual Effects Supervisor in the industry.

Cecilia Chui

VFX Production Coordinator - Framestore

How to Train Your Dragon (2025), The While of Time (S2) + More!

Cecilia joined Framestore in 2022 as a Production Assistant and progressed to the role of Coordinator in 2023. Since entering the VFX world, Cecilia has gained experience across Film, Episodic, and Immersive projects, coordinating a range of departments and contributing to high-profile productions. Her recent credits include The Wheel of Time Season 2 and How to Train Your Dragon.

She began her career with a degree in Biology, initially working within the field before relocating to South Korea, where she spent five years teaching English. Upon returning to the UK, she transitioned into the Visual Effects industry—an environment that allows her to combine her diverse skill set with a passion for creative collaboration.

Katie Mitchell

Pipeline Project Manager - Flying Bark

Marvel's What If?, The Last Airbender, Stranger Things, Lord of the Rings: Rings of Power, Indiana Jones and the Dial of Destiny, Battle Kitty, Rise of the Teenage Mutant Ninja Turtle + More!

Katie Mitchell is currently the Pipeline Project Manager at Flying Bark Productions, where she has contributed to projects such as Marvel's What If, Stranger Things: Tales From '85, and The Legend of Aang: The Last Airbender.

Katie has worked on a wide variety of projects across the 2D and 3D spheres, in both episodic and feature films. Her journey in the film industry began in 2D animation, when she first joined Flying Bark to work on Rise of the Teenage Mutant Ninja Turtles as a Production Coordinator. She then moved into the 3D realm of animation, while working as a Production Manager on Netflix's Battle Kitty, rendered fully in Unreal. From there, Katie forayed into the world of VFX while working at Industrial Light and Magic on Rings of Power, and as an Associate Production Manager on Indiana Jones and the Dial of Destiny.

Katie realized animation is what she loved being apart of most, and has since returned to Flying Bark. She has always enjoyed the workflow and technical aspect of film and television, finding ways to improve workflows for the Production department, and increase training for other colleagues in production.

Katie has now moved into the role of Pipeline Project Manager, where she looks after a team of developers who are the creators of the tools that allow artists to focus on the creative, by speeding up their workflow by automating the underlying data flow and tools. She works across the projects, facilitating development that suits the studio as a whole, as well as the individual project requirements.

Allison Rojas

Senior Producer - Hooligan Animation

200% Wolf Movie, The LEGO Movie, Shark Tank Australia, Strange Magic, MasterChef, The Chronicles of Narnia, Merlin, Nanny McPhee and the Big Bang, G.I. Joe: Rise of Cobra, Watchmen, Cinderella III, Brother Bear 2, Bambi II, Lilo & Stitch 2, Tarzan II, Mickey, Donald, Goofy: The Three Musketeers, The Lion King 1½, The Jungle Book 2, Peter Pan: Return from NeverLand + More!

Leiki Veskimets

Producer - Guru Studio

Paw Patrol, SpongeBob Squarepants: Saving Bikini Bottom, We Have A Ghost, Knights of the Zodiac, Addams Family 1 & 2, Extinct, Riverdance, Space Jam 2, Paws of Fury: The Legend of Hank, HitPig, StarBeam, Power Rangers, Guardians of the Galaxy Vol. 2, Justice League, Black Panther, Tomb Raider, Rampage, Ant-Man & The Wasp, Meg, Aquaman, Game of Thrones, Max Steel, The Lego Movie, Gnomeo & Juliet + More!

Olivia Lyne

Line Producer - Locksmith Animation

Bad Fairies, That Christmas, Sherlock Gnomes, The Jungle Book, Guardians of the Galaxy, Maleficent, Godzilla, Prometheus, The Lone Ranger, Skyfall, World War Z, Wrath of the Titans, X-Men: First Class, Harry Potter and the Deathly Hallows: Part 2, A Boy Called Christmas, Legend of the Guardians, Where the Wild Things Are, Happy Feet + More!

Liv Lyne is the Line Producer on Bad Fairies. A born and bred Aussie but Londoner at heart. Her passion has always been in both written and visual storytelling, moving from rural Australia to Sydney to complete a degree in Creative writing before starting her Film career as a PA in Live Action Film.

Gaining experience on smaller indie projects, as well as the feature film I’Robot, she eventually found her first role in Animation and felt immediately at home– spending 7 years at Animal Logic on Happy Feet and Guardians of Gahoole.

Liv moved to London 13 years ago, working at MPC on a multitude of shows including The Jungle book, before moving to Mikros as Digital Line producer on their first UK based Animated feature, Sherlock Gnomes. Helping to build and manage the London office created solely for the film.

Directly prior to Locksmith, Liv worked as an Associate Producer and Producer at Framestore, across VFX, Animation and Immersive.

Liv is often accompanied by her French Bulldog Portra who snores louder than any human and loves cheese, sunshine and the brilliant company of her Locksmith co-workers almost as much as her owner.

As a side hustle Liv is a qualified nutritional health coach and hopes to eventually help creatives in deadline driven industries to better support their physical health and mental wellbeing.

Kayn Garcia

Animation Supervisor - Framestore

How To Train Your Dragon, The Little Mermaid, Spider-Man: Far From Home, Mowgli: Legend of the Jungle, , Tom & Jerry, The Legend of Tarzan, Paddington 1 & 2, The Lego Movie, Dracula Untold, Guardians Of The Galaxy Christopher Robin + More!

Kayn boasts over 25 years of high-level animation experience, working across a huge range of popular 2D and 3D projects. A National Arts School graduate, Kayn grew his skillset at Walt Disney Animation Studios and Australian animation house Animal Logic before joining Framestore London in 2014

Kayn worked on a suite of globe-straddling projects that have benefited from his skill and flair. These include the Lego movie, the first two Paddington films, two volumes of Guardians Of The Galaxy installments, Spider-Man: Far From Home and the Oscar-nominated Christopher Robin.Kayn has served as Animation Supervisor for Tom & Jerry - a visually audacious slice of cinema that drew on his skills as both a 2D and 3D animator. Disney live action adaptation of The Little Mermaid. Most recently working with director Dean DeBlois with his first live action debut with How To Train Your Dragon.

Amber Naismith

Producer - Ludo Studio

Bluey Movie, The Magician's Elephant, The Lego Batman Movie, The Lego Movie, The Lord of the Rings: The Fellowship of the Ring, Legend of the Guardians, Astro Boy, Gatcha Man, Happy Feet, Garage Days, Swimming Upstream, Ghost Ship, Charlotte Grey, Farscape Series II + More!

Amber Naismith is a passionate and creative driven filmmaker with over twenty years of production and leadership experience. Amber has partnered with world-renowned directors and major studios on numerous award winning VFX and animated feature films from initial development and pre-production, through post and picture release.

Amber is currently producing an unannounced feature animation with Warner. Bros Picture Animation. Previously she served as Animation Producer on The Magician's Elephant (2023) for Netflix Animation, as Co-Producer on The Lego Batman Movie (2017), and The Lego Movie (2014), Senior Production Manager on The Legend of the Guardians: The Owls of Ga'Hoole (2010), and Happy Feet (2006) for the Warner Animation Group.

Amber has been nominated twice for Annie Award for Best Animated Feature for The Lego Movie and The Lego Batman Movie. She has also won the AACTA award for Best Animated Feature and Best Short Animation for The Lego Movie and LEGO Star Wars: The Padawan Menace. She has been nominated for the VES Award for Outstanding VFX in an Animated Feature for The Lego Movie and The Lego Batman movie. In 2006 Happy Feet won the Academy Award for Best Animated Feature and BAFTA Award for Best Animated Feature. In 2014 The Lego Movie won the BAFTA Award for Best Animated Feature.

Prior to joining Warner Bros Picture Animation in 2023, Amber worked for Animal Logic in numerous positions, joining the company in 1999 and advancing to Animation Producer. Amber was also a production executive at Imagi Entertainment in Hong Kong and Los Angeles. Amber started her career at Media World Features in Melbourne Australia.

Amber graduated with a Bachelor of Arts and Fine Arts from The University of Melbourne and a Master of Arts Administration (Art Curating) from the College of Fine Arts, University of NSW. She is a member of the Producers Guild of America, Australian Academy of Cinema and Television Arts, and Women in Animation.

Apply Now!

COURSE MODULES

Advance faster with industry-endorsed training

Online modules for self-paced learning + each week there are two live online workshops to actively practice your skills + live industry guest Q&As. You will also have access to all future & past guest Q&As!

Don't just learn Flow Production Tracking. Use it.
Eight of the eleven modules are built inside it, the same software running at studios like ILM, Framestore and Netflix Animation.

What You Will Learn

Module Breakdown

Apply Now!

PROGRAM DETAILS & COST

Start Date

Weekday Class: Nov 3, 2026

Weekend Class: Nov 7, 2026

CLASS SCHEDULE / TIMES

Delivery

Live online classes (2 per week) + self-paced modules

Limited to 10 students p/ class

Skill Level

Beginner

Intermediate

Cost

$1,490 USD

or 4 x ~$372

Plans available (see FAQ)

Commitment

7 weeks, part-time

6-8 hrs a week (4 live + 2-4 self-paced)

EARLY BIRD DISCOUNT

10% OFF ENDS: 16 Oct 2026

Course package

2× weekly live online workshops (2hrs each) for 7 weeks, with full instructor support
11 self-paced online modules to work through between workshops
6× live industry guest Q&As, held within your workshop times
2 months of Flow Production Tracking (ShotGrid), no separate subscription
The full library of past guest Q&As, plus every future one
Downloadable production templates & resources you can reuse on the job
Access to the Mayhem alumni & industry network
Certificate of completion, plus a digital badge if you complete the assessment

All included in the course fee.

Apply Now!

CLASS SCHEDULE

We Welcome ALL International Students!

Region	Tue & Thu	Sat & Sun
USA / Canada (PDT/PST)	Not offered	7am - 9am
Europe / UK (CET/CEST)	9am - 11am (CET) 11am - 1pm (CEST)	4pm - 6pm (CET/CEST)
Australia / NZ (AEDT/AEST)	7pm - 9pm	Not offered

*Please confirm the time in your local time zone to ensure accuracy for your region

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WHY STUDY WITH US

Industry-endorsed, expert-led training focused on real-world skills with live networking opportunities.

INDUSTRY

ENDORSED

Recognized + supported by experts in the industry

JOB

FOCUSED

Hands-on training in industry relevant skills + tools with real-world application

EXPERT

LED

LIVE interactive sessions delivered online by industry professionals

LIVE

NETWORKING

Meet industry pros from top studios in real-time via zoom

100%

ONLINE

Learn from anywhere in the world. Small classes, personalized feedback + peer interaction

This course gives you a competitive edge, enabling you to hit the ground running. Production studios love candidates who are able to make an immediate impact, and with the skills and knowledge you'll gain from this course, you'll be a standout candidate for any production assistant or coordination role in animation & VFX.

Graduate With Recognized Credentials!

Finishing the program isn’t just about gaining skills - you’ll also walk away with recognition of your achievement:

COMPLETION CERTIFICATE

Awarded to all students who successfully meet the course requirements. It’s a formal acknowledgment of your training and can be shared with employers.

DIGITAL BADGE

For students who meet the full set of requirements, you’ll also receive a verified digital badge. This can be added to your LinkedIn, portfolio, or resume, making it easy for recruiters and studios to see your skills at a glance.

Your experience as a student at Mayhem

Online Materials

Watch your recorded lectures and engage with supportive material on the Mayhem Learning Platform before the live instruction workshops

Live Instruction

Meet with your instructor/s and class online via Zoom for a 2hr workshop (on your allocated workshop days)
Apply and practice the skills learned in the online course materials during the live workshop

Industry Guests

Meet with industry professionals and your class via Zoom (on your allocated live workshop days) for 1hr industry Q&As.

We aim for live sessions for real-time engagement, but some may be pre-recorded due to constraints

Learn the skills, tools, and workflows used in real animation & VFX studios

Our course combines live Zoom sessions, hands-on exercises, self-paced learning modules, and industry guest Q&As to give you practical experience in production coordination. With a mix of structured lessons and flexible learning, plus direct insights from professionals working in VFX and animation production, you’ll gain the skills and industry knowledge to take the next step in your career.

🎥 Watch the video to find out more!

Apply Now!

QUICK FAQS

Find answers to your questions quickly here. For more in-depth FAQ'S, check out our FAQ Page.

Who Should Apply?

Course Fees & Times

Admission Requirements

Software Used

How it Works

Career Opportunities

Got Questions?

We're here to help! Reach out at info@themayhemco.com

What is a Production Coordinator?

Find Out!

7 skills in 7 weeks (Instagram Post (45)).jpg

Seven weeks to studio-ready.

Build the skills studios look for in a VFX & Animation Production Coordinator.

Learn from industry professionals, practise real production workflows, and gain hands-on experience using the tools and techniques used by animation and VFX teams around the world.

LIVE WORKSHOPS WITH INDUSTRY PROFESSIONALS
FLEXIBLE ONLINE LEARNING
STUDIO-STANDARD TOOLS & WORKFLOWS

Apply Now!

Production Coordinator Course

Online Course with Live Workshops! A 7-week, part-time program focused on production workflows and coordination processes used within animation and VFX studios. Includes hands-on training in Flow Production Tracking.

COURSE OVERVIEW

VFX & ANIMATION PRODUCTION COORDINATOR CLASS

STUDENTS LOVE THE COURSE!

She Just Wanted Someone to Teach Her the Ropes… “Now I Can Jump Into Any Studio Pipeline.”

How I Levelled Up Fast in My First Studio Job!

How I landed a Production Assistant role at Framestore!

From PA to Coordinator in 5 months!

How I landed my first job in the animation industry

Course was AWESOME!

What I loved most!

MEET INDUSTRY PROS IN CLASS VIA ZOOM!

COURSE MODULES

What You Will Learn

Module Breakdown

PROGRAM DETAILS & COST

Start Date

Delivery

Skill Level

Cost

Commitment

EARLY BIRD DISCOUNT

Course package

CLASS SCHEDULE

WHY STUDY WITH US

Recognized + supported by experts in the industry

Hands-on training in industry relevant skills + tools with real-world application

LIVE interactive sessions delivered online by industry professionals

Meet industry pros from top studios in real-time via zoom

Learn from anywhere in the world. Small classes, personalized feedback + peer interaction

Your experience as a student at Mayhem

Online Materials

Live Instruction

Industry Guests

QUICK FAQS

Who Should Apply?

Course Fees & Times

Admission Requirements

Software Used

How it Works

Career Opportunities

Got Questions?

What is a Production Coordinator?

Seven weeks to studio-ready. Build the skills studios look for in a VFX & Animation Production Coordinator.

​

LIVE WORKSHOPS WITH INDUSTRY PROFESSIONALS

FLEXIBLE ONLINE LEARNING

STUDIO-STANDARD TOOLS & WORKFLOWS

​

FOLLOW US

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© 2026- Present Mayhem Production Management ApS

Online Course with Live Workshops!
A 7-week, part-time program focused on production workflows and coordination processes used within animation and VFX studios. Includes hands-on training in Flow Production Tracking.

Seven weeks to studio-ready.

Build the skills studios look for in a VFX & Animation Production Coordinator.